The Worst Witch: Free on YouTube and Worth Every Penny

When I was little, the 1986 film The Worst Witch was one of my favorite Halloween movies. I could never catch it when it was on TV, though, and eventually forgot all about it, replacing it with cinematic classics such as Halloweentown and Twitches, both of which could probably win Oscars when compared with the former. Several years ago, I remembered this old favorite of mine, bought it on DVD, and now watch it a weird number of times throughout the month of October… and sometimes, like… March. My husband must occasionally wonder if he did, in fact, marry an awkward, chubby, 12-year-old, as he comes in the living room to see me singing along to this terrible children’s movie, eating “candy salad” from a ramakin.

While Netflix has recently produced a much more polished version of The Worst Witch, based on the 1970’s book series, in a multi-season TV show, there’s something about Tim Curry passionately singing “Has anyone seen my tambourine?” that can’t be beat. Don’t you worry, though! You don’t have to buy this gem on Amazon. It’s free on YouTube, in its entirety, and it is worth every penny. Here are my thoughts, 25 years after my first magical viewing.

Why does Mildred get all of the blame when she and Maud make the wrong potion? Maud was the one caught trying to sneak her spell book in, so she could cheat. Both girls were equally cavalier about the amount of each ingredient used. Why was Mildred the only one sent to Miss Cackle’s office?

As a kid, I really empathized with Mildred, but as an adult, I realize she’s kind of a mess. She insists that she tries and can’t help the fact that things always go wrong, but she also admits to blatantly ignoring simple instructions, like gathering pondweed at midnight. How hard is it to read a clock, Mildred? These problems are of your own making…

… and yet, nothing excuses an educator speaking to a student like this: “Oh dear, Mildred. Oh Mildred, oh dear. You must be the worst witch in the entire school.”

Seriously?!?! She’s twelve. The conversation even ends with a playful “Was I nasty enough for you?” You mean when you told her that she ranked last in the whole school, because she made a potion incorrectly? How much room for error is allowed? Is not the punishment for failing a test a bad grade? This wasn’t even supposed to be the cruel teacher! Speaking of which…

… when Mildred and Maud are gossiping about Miss Hardbroom and she appears in their room to yell at only Mildred, did she curse her name like Lord Voldemort or is she always watching this child? That’s disturbing and I don’t think she should be allowed within 300 yards of a school.

I understand that the girls are awarded their cats in order of excellence, meaning the lowest performers get their cats last, but they still get cats. I don’t actually think this is a bad system. We coddle weakness too much, today. There’s nothing wrong with rewarding high performers. That being said, who was in charge of procuring the cats and why couldn’t they find enough black ones? Black kittens are literally some of the easiest to find, because they’re the least popular. Even if they couldn’t find a black cat for the lowest performer, why couldn’t they change the color in a world where humans can be turned into animals?

Ethel Hallow is one of the villains of this story. She’s a bully and deserves the criticism she gets for it. That being said, much of Mildred’s distaste for her is voiced in regards to her successes, getting upset at how often she does well in class or is chosen first for games. “Just like her to be the first one to get her kitten to ride.” Well, Mildred, if you actually made the effort you keep claiming you’re making in a high-pitched whine, perhaps you’d be more successful in school, too.

These villains are fabulous. I love that they plot their evil moves in song and dance, while wearing multi-colored robes, that match their hair. Once again, I am Team Villain.

Miss Hardbroom is clearly the Severus Snape of this tale and just like Snape, she never redeems herself.
“Ethel Hallow shows promise, Mildred Hubble, anything but. Mark my words, Mildred Hubble will never graduate as a witch from this academy!”
“That’s very good. Who’s that? Oh. Mildred Hubble. Four.”
What are the professional standards for educators in the wizarding world?!?! What does the interview process look like? Do they require teachers to hold vendettas against their least favorite students? Just as the Dursley’s made me cautious of British CPS, this school needs some serious oversight. Why doesn’t Miss Cackle take this awful woman down a peg and remind her that her role is to support Mildred and build her up? Then again, why didn’t Dumbledore intervene in Snape’s abuse?

How did Mildred think ketchup was blood? She might not be the worst witch, but she also might be the dumbest.

Mildred didn’t just scream in terror at the sight of ketchup, she screamed literally 21 times when Ethel came out of the bathroom wearing a mask. Why do these witches scare more easily than humans?

Why wasn’t Mildred suspicious of Ethel for being so generous as to loan her a broom? I kind of want to put another check in the dumbest witch column, especially with the pointed and sinister comment “It’ll take very good care of you”. It wasn’t just Mildred, though. No one raised a brow to the school bully loaning a costly piece of equipment to the spaz who bested her in front of the whole school. Now that I mention it, are there not school brooms? My schools always had optional communal equipment, even if it wasn’t as high of quality as something you might buy personally. Hogwarts had school brooms and I have a hard time believing that an almost 400 years old international academy for witches wouldn’t. Is there a school-wide conspiracy to humiliate Mildred?

Why do these girls want huge, sexy noses if no one else in their world has them? This seems like an offensive stereotype of witches, when even the young and attractive ones, like Miss Spellbinder and Miss Cackle’s niece, Donna, don’t have them.

What fucking crossroads demon did Tim Curry make a bargain with and how many years are left in his deal? This man is a household name and has starred, almost exclusively, in movies that can only be described as fabulously terrible. You have not lived until you see Tim Curry’s disturbingly sensual music video cutaway from The Worst Witch, as he flies around in a cape singing about how gremlins are going to mess up every cassette from London to Idaho.

“Oh Miss Hardbroom, your girls? … I love it, Miss Hardroom. Let’s get this show on the road.” I want to give the writers the benefit of the doubt, here, and assume they were going for flirty towards Miss Hardbroom, a consenting adult, but the Grand Wizard might be a sex trafficker.

“I was a fool to trust you! You abominable child, Mildred! Get out of my sight!”
“Go to bed without supper and I’ll see you in my office, tomorrow at noon.”
“If these are the witches of the future, I hate to think what the future will bring. What is this generation coming to? I’ve got to split. I’ve got another gig.”

It was a performance put on by children. It’s like a flashback to my years of softball… and basketball… and volleyball… and just gym class.

Why does “turn these witches into snails” turn witches in to snails, but “Ethel Hallow is now a frog” turns Ethel Hallow into a pig? Why does no one believe the former, when they saw the latter? I don’t understand the rules of magic in this world.

Why would Ethel confess to Maud, Mildred’s best friend, that she bewitched her broom, humiliating not just Mildred, but the entire school, in front of their Celebrity Rockstar King? Furthermore, why wasn’t she expelled for this, when Mildred is repeatedly threatened with expulsion for innocuous mistakes? Are there actual guidelines for expulsion or is this just the 80s?

“Once in a purple moon, there is a special young witch, who shines above the rest. Often, she goes unnoticed, because she’s out of step. I have seen this girl trying to fly. Oh, yes, I have. I’ve watched her at play and seen how her friends treated her. The best witch isn’t always the girl who comes out on top of tests. A true witch has witchcraft in her at all times… and this is what you have, Mildred Hubble.”

I… I don’t even know where to begin, folks. First of all, these are bold words from a man who cut his visit short, blowing off a feast that was prepared for him and dismissing an entire generation, because a child made a mistake in what amounted to a school play. Second, on what is he basing his praise of Mildred? He’s never even met her, which brings me to my third point. When was he watching her?!?! The Grand Wizard visits for the first time on Halloween night, but he’s “watched her at play and seen how her friends treat her”? I once had a man show up on my doorstep in a hoodie at 9:00 at night and tell me that he was a Mormon and wanted to come inside and speak to me about Jesus Christ… and I didn’t piece together the fact that that probably wasn’t entirely on the up-and-up for years. Y’all, even I could tell that the Grand Wizard is 100% buying children.

“Now, Mildred, have you made any plans for this unexpected holiday?”
“No, Grand Wizard. I suppose I’d better practice my flying.”
“Would you like to practice with me?”
“With you?!?”
“Oh, absolutely.” ::he said seductively::

The Worst Witch, y’all.12/10… would absolutely recommend.

George Bailey: The First Millenial

It’s a Wonderful Life has long been one of my favorite Christmas movies and remains so, as our holiday film selection becomes increasingly over-saturated with emphasis on a depiction of Santa Claus, that no more resembles the historical Saint Nicholas than Disney’s Pocahontas resembles the 17th century twelve-year-old of the Powhatan tribe.*

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This is a 12-year-old.

As a religious person, the overwhelming focus on Santa, by others of the Christian faith, baffles me. I don’t even want to do the Santa thing, anymore, because I feel the emphasis has become so skewed in favor of a cartoon character and materialism over the birth of the Messiah. A couple of years ago, I told my grandmother that I wasn’t playing Dirty Santa, at the family party.

Me: “It’s just not fun for me and it’s expensive.”
Grandma: “Well, that’s what Christmas is about, you know… giving each other gifts.”
Me: “No, it’s not. Christmas is about Jesus and family.”

My 82-year-old grandmother told me Christmas is about things, y’all. That should horrify you, even if you’re not religious. Santa can go jump in a lake.

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So… I’ve really grown to appreciate the old Christmas movies that aren’t afraid to broach faith, family values, and societal responsibility, like Miracle on 34th Street, A Christmas Carol, and It’s a Wonderful Life. Despite this, every year, as I watch this favorite Christmas classic, I have some… issues… with George Bailey and the fact that he’s… well, kind of a tool… by the standards of his time and mine. I’d even go so far to state that in 2018, George Bailey would fit several of the prevailing stereotypes of Millennials that I’ve been hearing all of my adult life. For example…

He’s selfish.

The opening scene of It’s a Wonderful Life, depicts three stars discussing a man on earth who is dangerously close to taking his own life. Ultimately, Clarence AS2 (Angel Second Class, which doesn’t even make sense as far as acronyms go), is assigned to intervene, as we listen to the prayers of George Bailey’s family and friends, one of which clearly declares that “He never thinks about himself.”

Never thinks about himself?!?!? The only truly selfless thing George Bailey does in this movie is to save his brother when he falls through the ice, ultimately losing his hearing in one ear, an action and a consequence he never again mentions. As wondrous as that behavior is from a teenage boy, it’s also the moment little GB peaked. Just a few weeks later, we see him arrive late to his after school job in a drug store, before providing terrible service to the only customers present.

Violet: “Help me down?”
George: ” Help ya down?!?!”

George: “Make up your mind yet?”
Mary: “I’ll take chocolate.”
George: “With coconuts?”
Mary: “I don’t like coconuts.”
George: “Don’t like coconuts? Say brainless, don’t you know where coconuts come from? [pulls out a National Geographic magazine] Look-it here, from Tahiti, the Fiji Islands, Coral Sea.”
Mary: “A new magazine! I never saw it.”
George: “‘Course you never. This is just for us explorers. It just so happens I’ve been nominated for membership in the National Geographic Society.” ::puts coconut on the ice cream, anyway::

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Spoiler alert: by “explorers”, he means “men.”

Immediately following this scene, we see George approach his boss, Mr. Gower, who’s just lost his son to the flu epidemic of 1919 and is naturally drunk, devastated, and ill-tempered. Realizing that the impaired pharmacist has mistakenly filled some capsules with poison, George risks his ire to correct him, ultimately taking quite the boxing of his sore ear. We’re lead to believe that this is another truly honorable moment; but I think it’s worth considering the fact that this kid just showed up late to work and treated Mr. Gower’s only customers like dirt, prior to pestering him during his grief. While he might not have deserved to be hit, it was a reprimand appropriate to the times. Furthermore, I work with teenagers and I just don’t consider it a stretch to think that any one of them would speak up if they thought someone was about to poison some children, no matter the consequences. I feel like the average American is only impressed by this “heroism”, because they have such devastatingly low expectations of teens.

As the movie continues, we see George grow into a man… an extraordinarily selfish man, who speaks incessantly about what he wants. Even his last words to his father, for which he shows no remorse, are entitled declarations about how he deserves more.

– “Oh, now Pop, I couldn’t. I couldn’t face being cooped up for the rest of my life in a shabby little office…Oh, I’m sorry Pop, I didn’t mean that, but this business of nickels and dimes and spending all your life trying to figure out how to save three cents on a length of pipe…I’d go crazy. I want to do something big and something important.”

After his father dies and the board votes to keep the Bailey Building and Loan open, in response to George’s passionate defense of the community, they only have one condition: George must stay on and take his father’s place.

– “Let’s get this thing straight. I’m leaving! I’m leaving right now! I’m going to school! This is my last chance! Uncle Billy, here, he’s your man!’

That’s right. George’s first consideration when his father’s legacy, his community, is on the line, is what he wants. The next four years apparently offer little growth, as he tells Mary, the night he calls on her:

– “Now, you listen to me. I don’t want any plastics and I don’t want any ground floors and I don’t want to get married ever, to anyone! You understand that? I want to do what I want to do!”

“He never thinks about himself”? That’s the entire premise of the first half of this movie. All George Bailey does is think about himself, about what he wants, what he deserves, because…

He’s entitled.

As a millennial, I literally hear about the entitlement of my generation, weekly… but no matter how many participation trophies I received as a kid (because I certainly didn’t earn any legitimate ones), I have never, in my adult life, compared to the entitlement of George Bailey.

In 1940, only 5.5% of men had completed a college degree, compared to 3.8% of women, not because it was a time of equality, but because a college education was so incredibly rare.* That’s eleven years after George sits at his father’s table, in his very nice middle class home, and tells him he’s better than the Bailey Building and Loan, a year when only 68% of American homes had electricity.* Just weeks later, after his father’s death, George even ridicules the man’s failure to have paid for not just his, but his brother’s education.

– “You are right when you say my father was no business man. I know that. Why he ever started this cheap penny-ante building and loan, I’ll never know. but neither you nor anybody else can say anything against his character, because his whole life was… why in the 25 years since he and Uncle Billy started this thing, he never once thought of himself, isn’t that right Uncle Billy? He didn’t save enough money to send Harry to school, let alone me.”

He does so to a room of men who likely went no further than the 8th grade, themselves, because in 1940 less than 25% of Americans had completed high school.* If you’re wondering why all these stats are about 1940, that’s because prior to that year, the surveys weren’t interested in levels of completed schooling, but literacy. A healthy chunk of the country couldn’t read the day ol’ GB haughtily declared he was turning down the position of executive secretary of his own business to go to college.

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Yeah. I’m entitled.

It’s not just his demand for a college education that made George Bailey insufferably privileged, by the standards of that time and this one, but his general disdain for his hometown. I get it, he wanted to travel the world, in a day when men were lucky to have jobs at all, but the lack of exoticism in Bedford falls certainly didn’t earn the level of contempt George had for it.

– “It’ll keep him out of Bedford Falls, anyway.”

– “Homesick?!? For Bedford Falls?!?

– “… stay around this measly, crummy old town.”

This “crummy old town” has an indoor swimming pool under the high school gym. The only rundown house is eventually transformed to a glorious Victorian mansion by Mary Bailey, herself, with just a little elbow grease. Even George declares the falls are beautiful in the moonlight, when he tries to petition Violet to climb Mount Bedford. The dystopian version still has a successful library.

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The citizens of Bedford Falls aren’t completely without their struggles, of course. George mentions to Sam Wainright that “half the town” was recently put out of business when the tool and machinery works was closed down. Does that stop him from criticizing anyone who works for Mr. Potter, though?

– “In the whole vast configuration of things, I’d say you’re nothing but a scurvy little spider… and that goes for you, too!”

Well, George, not everyone was just handed their father’s business, at 22. Zetus Lapetus, much of this movie took place during The Great Depression! Choosers were literally beggars, which brings me to my final point of our “hero’s” entitlement. George Bailey was 12 in 1919, born in 1907. These years weren’t exactly known for the wealth of choices they provided. Throughout the entirety of It’s a Wonderful Life, however, George is constantly choosing his path. He chose to stay and run the Bailey Building and Loan after his father died. He chose to give his college money to Harry and let him take another job, when he was more than willing to take over. George chose to marry Mary, immediately after stating that it wasn’t what he wanted. He chose not to invest in Sam Wainwright’s business despite the fact that he’d apparently saved two thousand dollars for his travels. That’s thirty thousand dollars, today and ol’ GB chose to forfeit it to keep the Building and Loan open.

In a time of rampant polio and domestic violence and 25% unemployment, George had the luxury to choose his path and each and every time, he was an absolute martyr about it. He didn’t do these things, because he was selfless. He did them because of societal expectation, because of his image, and we know this, by his perpetual bellyaching, because…

He’s ungrateful.

When I went on this rant during my bi-weekly teen book club, because that’s the librarian I am, my kids argued that this was the point of the movie and I’ll give them that. However, in the opening scene it’s heavily implied that George Bailey is only presently forgetting how good he has it, as he faces financial ruin and scandal on Christmas Eve. I mean, who wouldn’t see the brown spots on their lawn, in that light? For our “hero”, though, the grass has perpetually been greener. The entire movie highlights his general unhappiness and lack of appreciation.

George Bailey sits in his father’s home, as he’s served by a maid, and insists he can do better for himself. He somehow begrudgingly both inherits his own business and marries a beautiful women, who’s been in love with him her whole life. He has a respectable excuse to avoid the war and make beautiful babies, yet still finds something to complain about, while other men are dying and losing limbs. All the while, Mary Bailey remodels their home, cares for their children, and runs the USO, without a word of complaint. You the real MVP, Mary Bailey, because if this movie is an accurate indicator of your husband’s daily behavior, I’d have smothered him with a pillow in the first month of marriage. I mean, you could have been a librarian.

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Years go by and George Bailey lives in a beautiful home, in a wealthy little town. He’s a respected member of society, by everyone from the town tramp to the bartender to his arch nemesis’s financial adviser. Still, his days are ruined by such inconsequentials as a loose newal cap on the staircase.*

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Dude, even Zuzu was like, “Paste it, Daddy.”
Is it that much of a surprise, when things really go sideways and he says:

– “…It’s this old house. I don’t know why we all don’t have pneumonia. Drafty old barn! Might as well be living in a refrigerator… Why do we have to live here in the first place, and stay around this measly, crummy old town…”

– “Wrong? Everything’s wrong. You call this a happy family — why do we have to have all these kids?”

– “What kind of a teacher are you, anyway? What do you mean, sending her home like that, half naked? Do you realize she’ll probably end up with pneumonia, on account of you? Is this the sort of thing we pay taxes for, to have teachers… to have teachers like you… stupid, silly, careless people who send our kids home without any clothes on?”

That last little remark earned him a busted lip, and despite the general disagreement of the community of Bedford Falls, I’d say it was quite well-deserved. It’s at this point, however, that we see George Bailey finally begins to realize how good he has it, and yet… the only hope poor Clarence has of convincing him of this, is a glimpse through the most self-centered lense of all time. Looking into the eyes of his loving wife, adoring children, and loyal friends wasn’t enough to convince George that life was worth living. Nope. Ol’ GB could only see value in his life when someone put a gold star next to his every good deed. His existence was only worth the effort, once it was proven that just by being alive, he changed the world. Folks, if that ain’t a participation trophy…

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Pictured: The Original Millennial

Citations

https://www.history.com/topics/native-american-history/pocahontas

https://www.statista.com/statistics/184272/educational-attainment-of-college-diploma-or-higher-by-gender/

Click to access 10_Education.pdf

https://www.diydoctor.org.uk/projects/staircase-parts-and-terminology.htm